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The Raffle

This poem pays tribute to an annual event which is part of Words And Music  history and only takes place at the first meeting of the year. I refer of course to our annual New Year’s Raffle which has been organised for many years by our founding mother Pamela Duncan. I have given it the title The Raffle I hope you enjoy the read. 

This picture shows Our Founding Mother conducts the draw for the 2018 Words And Music raffle abley assisted by poet and writer Peter Clive who was making his debut at the event last night.  

The Raffle. 
It’s part of our tradition 

I can’t remember when it started 

but I do know who started it 

our founding mother Pamela came up with the idea 

to get rid of Christmas presents 

that were surplus to requirements 

well what’s unwanted by you 

may be desired by someone else

 DVD’s, books, jumpers, tops,  beauty sets,  

and the obligatory mince pies,  chocolates, and alcohol 

were on offer last night 

or have been in previous years 

depending on when your number came up

at least this time with so many donations 

 no-one was unlucky and left empty handed 

you have to understand that for seasoned veterans among us 

this wasn’t always the case 

the look on Andy’s face when he left with three prizes was priceless

compensation for all those years of winning nothing but sympathy 

there are in jokes in these lines 

only the long standing regulars will get 

though last night a few more were inducted in to the tradition  

which was, is, and ever shall be the words and music raffle

where your entry fee is paid 

by a poem, song or story. 

© Gayle Smith 2018 

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It’s Not The Gifts Beneath The Tree Which Bring You Christmas Cheer It’s Moments Of Mistletoe Madness When We Learn The Truth About Snow 

As we get ready to welcome in the Words And Music bells in the usual creative but chaotic  fashion these nights demand of us it’s time to look back on a Christmas Cracker which have all three E’s I would expect of these occasions it was eventful, enjoyable, and entertaining. 

As is always the case I kicked off the night bang on 8 o’ clock and I started with a couple of newly written festive or should that be festival themed poems.  I opened the night with a short Christmas poem titled Beneath The Tree in which I hope I captured the spirit of Christmas and the dreams, hopes, and expectations of the season. I followed this with a poem on the event which is without doubt my favourite musical highlight in the run up to Christmas and that and those who know me well will not surprised by this is the Scottish Traditional Music Awards also know as Na Trads. The poem titled Runrig For Milenials was inspired by my flatmate Janette who shall we say is not quite as well versed in the traditional music scene as I am and on seeing the bilingual band Tidelines said that they were the world’s first gaelic boyband. This gave me the idea for the poem and when I jokingly said they could be the new Runrig. I had no choice but to write it and Runrig For Milenials seemed like the only natural choice for the title. 

Having debued two new poems and got the night started in the usual manner it was now time to hand over the night to the billed performers and first up was a long standing friend of both myself and Words And Music and Steve Allan. On this occasion Steve shared two of his classic pieces starting with his excellent and thought provoking poem Anti-Clockwise before moving on to his hilarious story Bear Necessities. 

Steve was followed to the stage by debut girl Eileen Ellis whose excellent modern day take on the Christmas story Bridie And The Evil Warlock was a wonderfully heartwarming way to show her talent to a new and appreciative audience who I’m sure will see a lot more of her in the months and years to come. 

 Jim Ewing was next to take the stage and in a short but  enjoyable set he read Four Weeks In Advent and a told a joke about the Christmas Grinch .

As Jim went back to his seat I was reminded that it is Christmas brings families together and that includes poetry families so it was a lovely surprise to welcome my prodigal fierce big sister Lesley Traynor back in to the fold.  On taking the stage Lesley performed two poems Autumn Is A Good Month On Which To Float On Trees and Scones which she wrote on the Greenock poet W S Graham. 

As the prodigal sister exited stage left it was time to welcome Susan McKinestry to her first ever Christmas Cracker. After a few months of persuasion Susan finally made her debut in March this year and has become a club regular in the last few months with her hard hitting style of social commentaries becoming her trademark style for a performer who says it as she sees it.  Like many of the performers on the night Susan decided not to go down the seasonal route and instead performed two pieces Good News and Hey Listen which were more in keeping with her topical style. 

At the end of a thought provoking set, one Susan was replaced by another and  it was the turn of seasoned regular Susan Milligan to make her contribution to our cracker and she did it in the style she’s made her own with two poems a song. Susan started her set with In Ma Ain Wee Way and in it told the story of how she celebrates Christmas with her cats.  This was followed by Tinsil in which she had a gentle dig at the commercialisation of the festive season before finishing with a song entitled I’d Rather Be A Pauper Than In Debt and you know now that we’ve reached January I’m sure there are many families thinking it would be nice Susan if only we’d the choice. 

After Susan’s entertaining set I welcomed our very own Christmas Robin and the Robin in question was of course the maestro himself Robin Cairns. In this set Robin performed two poems the first of which Easy Tiger has the theme of compassion. This is a value which  fits in to the Christmas story as in it he narrates the story a young lad who had one mistake and why he cut him some slack when others of a more judgemental ilk wouldn’t have done so. Robin followed this with Socks a light hearted poem on what every man gets for Christmas when people can’t think of what else to buy them and I have to admit it got more than a few laughs from the assembled gathering. 

As Robin ended his contribution for the cracker and indeed the year it was time for Scotland’s best loved editor Alan MacGlas to take us to the bar break in his unique style and he did it by performing his enthralling piece Quarter Days in which he tells the story of people paying their debts to society. On that cheerful note it was time to conclude the events of an excellent first half of the night and look forward to fantastic featured acts. As I enjoyed catch up’s with old friends and new it was with anticipation I waited for the start of the second half 

As I brought the break to an end it was time to reveal what message I had found in the first of my Christmas crackers and that message was the name of our featured writer. Honestly I was gobsmacked at this revelation especially since this year the crackers had been put together not by Santa but by his assistant Buddy The Elf and Buddy you did an excellent job when you found me Karen Jones to step in to Christmas and on to the stage as featured writer for the Christmas Cracker of 2017. 

Karen for those of you who don’t know and have just arrived back from a parallel universe is a story teller of supreme quality and I was delighted to have a woman of her talents to lead us in to Christmas and beyond and eagerly anticipated a brilliant set which is exactly what I got from a performer of real star quality. 

Karen (pictured below) started her set with Clairvoyant a story about a boy who is best pals with his cousin and there close bond leads them to think they can read each other’s minds. This is anyone who has had such close bond will know is often a recipe for chaos, calamity and confusion but hey that’s entertainment and this highly entertaining story got Karen’s set off to the perfect start. 

Picture (1) Featured Writer Karen Jones leaves the audience spellbound with her storytelling magic at the Words And Music Christmas Cracker. 

In her next story Karen takes us back to her teenage years and the world before the days of the social media. In those days which were also my teenage years we had to resort to the magic art of letter writing and Karen captures this beautifully in her story The Truth About Snow where she recalls her distant relationship with her Japanese pen pal as she had wanted to write to someone from a more as she thought glamourous nation.  I confess here and now that had I been in Karen’s shoes I would have had exactly the same reaction. Disapointed that her pen pal only wanted to learn the truth about snow Karen longed for what she might have considered a proper pen pal with whom she could share teenage talk on music, boys and sex. Well it was and is perfectly natural to want to talk about these things I remember having these interests myself and if you substitute boys for men I still do. However there is a moral to this story which is to be careful what you wish for , as when  Karen finally got a Swedish pen pal she discovered more about real boys and real sex than she did when our 1970’s school teachers tried to give us that embarrassing facts of life chat that the school insisted they must and looking back at the end of a lovely trip down Karen concluded that she wished had made more of an effort to be kinder to her pen friend and wished she had told her the truth about snow. 

In typical Scottish style our storytelling sensation moved us with effortless ease from friendship to sectarianism when she detailed the challenges of working in her grandparents shop in the largely Celtic supporting Gorbals area of Glasgow  during the orange marching season. The story titled How Smiles Shine In Darkness which has since been published in The Nottingham Review shows the lengths people including me will go to in order to avoid this annual scar on a Glasgow summer. I loved the idea of the narrator’s grandparents bringing down the jukebox to drown out the tunes of hate. 

From sectarianism we journey to feminism and in Flipped, Karen relates the story of a woman who decides to stop domestic duties and fulfil her duty to herself and that was to be happy. This is a story which for very personal reasons I can strongly identify with and I have to admit listening to it was an empowering and liberating experience for me. 

Karen then went on to Grief For Beginners which is about a mine at a funeral and The Girl She Never Was which relates the story of a homeless girl in the railway station and the way society reacts to both her and her problems before finishing a wonderful 20 minutes with the heartwrenching story When Nobody’s Looking. This story narrated from the point of view of a child tells of an old woman who the child believes is dying but nobody listens to her believing that the child is exaggerating and the old woman should be left alone to enjoy her privacy. Unfortunately for the adults the child was proven right and the old woman slipped away when no-one was looking.  To me this story sums up the cultural attutude both in Scotland and the UK in this current climate. We have as the child in this  story moved away from caring for others to being a nation of individuals where everyone looks after number one and shuts the door on the rest of the world.  As this well told tale clearly illustrates we’ve created a country where nobody talks to anybody anymore.  This is bourne out by the fact in a recent survey 1 in 10 older people speak to someone less than once a week. This was a brilliant story on a really challenging topic and the perfect way to end an enjoyable and thought provoking set. 

As our fetured writer departed the stage it was time for our featured musican to entertain us and as I opened the second Christmas cracker this morning I knew that Buddy had been a very wise elf when he selected Bernadette Collier to perform this task. 

Needless to say Bernadette rose to the ocassion as I knew she would and performed six songs which not only showed the range of her repertoire but also won many new fans including some of the snooker players who stopped playing just to give her a listen. 

Bernadette (pictured below) started her set with A Proper Gardiner before moving on to the more up tempo Asking Us To Dance. This was followed by Travelling Soldier,  and My Old Friend The Blues, before concluding a fantastic set with   what 80’s comedian turned author Ben Elton would describe as a little bit of comedy with The Quine Who Did The Strip At Invarary and finishing up a real feel good 20 minutes with The Yorkshire Couple about a more mature couple who were at it like rabbits but not with each other. This was a brilliant way to end our featured slots for the year and I know we’ll get more great featured acts throughout 2018 and beyond. 

Picture (2) Our featured musican Bernadette Collier won a number of new fans with a wonderful set at the Words And Music Christmas Cracker.

Having had both our headline acts show exactly why I booked them and with nobody else left to perform it was left to me bring both the night and the year to a close and send us all in to what I hoped would be a funfilled Christmas poetry season with my final set of the year. I started with two new Christmas poems before finishing up the year with an old familiar favourite which hints at a wee bit of mischief which may have taken place. In my first poem Christmas Cheer which was inspired by the positive faith led actions of my friend Samantha Naidoo  I relate the tale of how the homeless are or at least appear to be locked out of our homes and our hearts on Christmas Day as we comfort ourselves with that seasonal combination of a  turkey dinner  and the Strictly Christmas Special.  

Moving on to my next poem A Good Result I show my faith at a more personal level by taking a light hearted look at the Christmas Fayre  which was held at my local church. This being my penultimate poem of the year I wanted to show a personal side to my work and how proud I am of a church which is rooted in our local community and I hope I did so with a touch of both reverance and humour. 

For my final poem I reverted to one of my Christmas classic and performed Stocking Thrillers. This poem tells the tragic tale of what happened when a girl sought the chance to spice up her love life by the misseltoe in a very unusual location. The result was chaos confusion and calamity at the end of which her boyfriend claims that this year’s present will be of a very different nature. 

And so it was over and another year of Words And Music goes in to the history books and becomes  part of the folklore of the event. As I look back on the last 12 months I see a year in which we have settled in to our new surroubdings and the made the Tin Hut home in the same way Sammy’s was for so many of us. It is with that thought that we head in 2018 in optimistic heart remembering that It’s Not The Gifts Beneath The Tree Which Bring You Christmas Cheer It’s Moments Of Mistletoe Madness When We Learn The Truth About Snow 

Till next time

Gayle X

When A Jumped Up Proletarian Meets A Rock Chick From Devil Gate Drive We’ll All Find A Space For Reflections When Dreams Come Hame To Bide 

Before I could focus on our traditional Christmas Cracker (It happened last night and the story will be told later) I firstly had look back on the events of a November which showed in many ways what the real spirit of a Words And Music night is all about. This was a night that had a little bit of everything. It was both entertaining and thought provoking with equal measures of humour and the sensible stuff thrown in to create a winning recipe for an enjoyable evening of entertainment as only we know how.

Being November there were nods, as expected to Halloween, Bonfire Night, and the upcoming Remembrance commemorations in the work of some performers and it was with remembrance very much on my mind that I kicked off the night with a written by the man who introduced me to Words And Music the one and only Jim Craig. 

Jim as some of you will no doubt know was a former serving soldier in the second battalion the parachute regiment and on release this fiercely proud Scot wrote some of the anti war poetry I have ever heard. So it was in memory of one of the true Words And Music legends I started the night with his poem  The Last Post which he wrote in the form of a soldier’s letter to his mother.

Having kicked off the night in my usual fashion I called Angie Strachan to be the first of the billed readers to bring fireworks to  the Words And Music stage and believe me she didn’t disappoint. Angie kicked off her set with Shakespeare’s Sonnet Number 8 in Scots, before moving on to the brilliantly titled To all the pyjamas I’ve loved before. Weans, Dear BBC Weather, which was both topical and hilliarous and concluding a wonderful set with Negativity Bias which privided a very witty insight as to how people with mental health issues can often fear the worst in many different situations. This was a cracking way to end an amazing set which was thoroughly enjoyed by all who heard it.

As Angie went back to her seat it was the turn of Steve Allan to entertain the company and this month he did so by reminding us that train journies can be both stressful and hazardous especially when we have no control over who sits beside us. In his story entitled Reflections Steve recalled a particularly troublesome journey when his peace and quiet was interrupted by two pasengers who insisted boring the life out of him with every little detail of their day and relentlessly slaughtered a colleague who it is safe to say wasn’t within listening distance of their conversation. By the end of his journey Steve had not only been traumatised to within an inch of his sanity he had also reached the conclusion that the college these two fools were demonising was probably a really decent guy. It is my opinion that a story is only as good the writer who brings it to life and Steve Allen brought this story to live so vividly I actually believed I was on the journey with him. 

After two performers who are both well known faces to the gathering it was time to welcome a newcomer to make his debut on the Words and Music stage. I first met Ronan Doran at those fabulous Blue Chair Wednesday nights which were for so long a part of my life throughout 2015 and 20216 and it’s no secret I’ve wanted him to come to this event so naturally I was delighted to see him take up his invitation and make his long awaited debut and follow in the footsteps of fellow Blue Chair family such as Kirsty Nicholson, A R Crow , Molly McLachlan, and Caitlin Buchanan who made one of the outstanding debuts I have ever seen from a featured musican in all my years at Words And Music 

On an evening when he could got away with doing more than he did Ronan performed only one song Roll On Yesterday which he told us was about a trip to the East Antrim coast. I must admit I’ve always enjoyed Ronan’s relaxed style of delivery and after this brief glimpse in to his repitoire I’m sure he’ll have gained a few new fans and we’ll see a lot more often in the months and years to come. 

Next up was Susan Milligan who read two very thought provoking pieces Modern Gods which was amusing and at times cutting take on the topic of celebrity culture and What Will It Take which looked at the state of the world as we know it as she pondered what will it take to bring the changes she wants to see as a legacy for her nieces and nephews. As tradition dictates Susan ended what I consider to be her best set yet with a song which in this case was Blue Moon and provided a fitting climax to a top quality performance in both content and delivery.  

Next up to the stage was one of the best poets and performers in Scotland as the Tin Hut welcomed home one of our own as Robin Cairns made the stage his own as only he can. In an excellent performance the maestro delivered two of his most recent poems, The Coppernosed Stone which he recalled the events of his youth in Clydebank and The House I Grew Up In which is a brilliant poem on how the imagination can play with tricks with memory 

As Robin rejoined the company it was Susan McKinestry who was the unluckiest performer of the night. Well someone has to follow Robin and on this occasion it was her. If she was bothered about it certainly didn’t show in a performance which showed just how much she has settled in to the Words and Music since first gracing our stage earlier in the year. On this occasion Susan read two pieces Tall and Short and The Key which followed in her tradition of biting and hard hitting social commentary on the impact of austerity and attitudinal prejudices on those soceiety considers to be weak and vulnerable. Make no mistake this is a quality writer and commentator who gives a much needed voice to those marginalised by the rich and powerful. It is a voice I look forward to hearing a lot more of in 2018 and beyond. 

As Susan went back to her table Jim Ewing started his set with a Halloween Haiku before moving on to the story of a Gorbals ghost story with which he enthralls audiences every time he shares it I refer of course spookily amazing tale of The Man With The Iron Teeth. This enjoyable tale of ghastly and indeed ghostly goings on in the south side of Glasgow was followed by a reminder of the sacrifices made in the two World Wars in Jim’s Remembrance poem Remember What You Will in he stresses the importance of remembrance in what is in my opinion my favourite poem on the topic due to it’s raw power and sincerely expressed emotions. 

At the end of Jim’s set it was my great pleasure to welcome Pete Faulkner back to the stage for the first time since August and Pete, a veteran of many a Words and Music night, was the perfect man to lead us to the bar break which he did by reading a poem by Diane Du Prima and A monologue on St Joan.

After a much needed bar break it was time for the main business of the evening and that of course was our two featured acts starting as we usually always do with the featured writer. This month saw Katharinerine MacFarlane take her place in the spotlight and I must admit it gave me particular pleasure to introduce not only a fellow fierce woman but my fiercest sister from the whole of that tribe.

Katharine started her set with Spaces which set the tone for the quality to come. This was a poem vivid in its imagery which transported the audience to place where poetry meets the soul. This was followed with Being A Seal as our poet looks at life from the perspective of the seal and  attempts to see the problem we as humans may create for them. 

In Sholbost Katharine (pictured below) takes us to Orkney and shows the landscape of the area and the folk traditions that surrounds it. Staying on Orkney our featured superstar oops I mean writer took us to Mae’s Howe and followed it with Ba. Katherine then moved tom the Western Isles for This Island before enchanting us with a poem in Gaelic and the subsequent translation of it into English. Ever the patriot in the cultural sense of the word Katherine a keen scholar of our history and tradition performed St Andrew’s Bones a poem on our Patron Saint and his final resting place. After this she moved on to Kuris and the brilliant Listen, which captures the awe inspiring power of nature at it’s truly breathtaking best. Katharine wound up a mesmerising set with the Longing Of A Person and her final poem the amazingly beautiful Lang Go Lang.  This concluded a wonderful set of poetry which encompassed all that’s positive about Scotland. In 20 minutes Katharine explored our islands , our history, our langauges, our culture, and traditions in a way which was educational, entertaining, imformative and inspiring. Make no mistake, this was poetry at its very best and I was privileged to hear it.

Picture(1) Our Featured Writer Katharine MacFarlane entertains the gathering in two languages with poems in both English and Gaelic in her set )

From featured writer we moved on to our featured musician and were delighted to welcome back that weel kent Words And Music favourite Bob Leslie to fill the role with 20 minutes of musical madness as only he knows how to make it. 

Bob started his set by maintaining the link with the isles which Katharine had built in to her set with An Island Boy. He then moved on to sing of American culture we seldom if ever hear about in The Lands Of The Sioux And Cree. If that song contained a political message from the other side of the Atlantic his next song When Dreams Comes Hame To Bide had even stronger political content for an audience far closer to home. In A Jumped Up Proletarian Bob showed that being a good trade unionist doesn’t necessarily mean being a member of The Labour Party despite what Jeremy Corbyn may like to claim. From politics the focus switched to comedy for his next song Her Father Called Me Frankenstein  in which Bob recalls an unwanted nickname from his first girlfriend’s father due to the fact he towered over him. Well Bob (pictured below) is shall we say a very tall gentleman. This was supposed to be when the music stopped but I invoked the compare’s privilege and insisted on one last song and I also requested what it was. Of course Bob was happy to obliege and gave a rousing rendition of Big Dead Bob a song which tells the story that reports of his death had been greatly exaggerated. Needless to say we all joined the chorus and gave Bob’s set the ending it deserved. 

Picture (2) Our Featured Musician Bob Leslie belts out tunes old and new 

At the end of two fantastic sets it was time for the proceedings to return to normal or at least as normal as is allowed at Words And Music and our penultimate performer Claire McCann did her best to achieve this when she read her poem Open Book. This was an enjoyable piece which Claire performed well but as she went back to her seat, it was time for me for bring the night to a close with the final set of the evening. 

I started the set by looking back on the disappointment of Scotland’s failure to qualify for next year’s World Cup in Russia with a poem written about the drama of our last World Cup Qualifier in Slovenia which sums up how it’s been for us for the last 20 years entitled The Hope That Kills You. I followed this up with That’s Nice.  In this poem I explain the stereotypical reaction which poets often get when you tell friends and neighbours your going to a poetry event. From this slightly tongue in cheek poem I got just a wee bit more serious I read The Flying Winger. In this very personal poem  I reflect on the tragic circumstances which befell my late uncle Arthur and how life can be shaped by the choices we make and the chances we take or don’t. I finished both my set and the night with The Rock Chick From Devil Gate Drive  a poem which tells the story of Karaoke nights and the part they played in my coming out.  

Having brought the night to a close I made my way home to the village . As I did so I couldnt help but think that when a jumped up proletarian meets a rock chick from devil gate drive  we’ll all find a space for reflections when  dreams come hame to bide. 

Till next time

Gayle X

We Came To The Gathering Where Happiness Lives And Magical Memories Are Made We All Have Home Wins At The End Of The Night As We’ve Scored Personal Goals On The Stage. 

With November upon us we prepare for a Words And Music which will undoutably feature the theme of remembrance. It is therefore important to remember the events an October edition which was memorable in many ways for the 12 of us in attendance and perhaps even a wee bit controversial in places. That however to this poet in particular is no bad thing as it is the job of the bard to tell their truths as they see them. 

It was with very much on my mind that I started my set with two poems the events in Catalonia declaring my support for Catalan Independence. In my opening poem The Currency Of Hope written on the Friday night before the referendum I wish my Catalan comrades good luck and urge them to stand strong against threats or dirty tricks from Madrid. I fillowed this with a poem written the morning after the vote and Storm Of Sorrow was my imeadiate and angry reaction to the brutality Catalan voters faced at the hands of the Spainish state police as they exercised their democratic right. 

Having got the night off to what some would say was a controversial start I invited Angie Strachan to the stage to restore some sort of sanity to the proceedings but then I remembered it was Angie and decided to let her get on with what she does best. Putting on her sensible suit at least temporarily Angie performed three poems the first two of which Happiness Lives, and Tandem Causa Bonna Triumphat gave the impression that Angie can be sensible when she has to be . However her final poem proved that Angie like me is sensible only in emergencies and Scarlet Fever the tragic tale of a burlesque artist proved that normal service had been resumed as she came back to her brilliant if ludicrous best.  

As Angie went back to her seat it was the turn of Mary Wilson to share her words with the gathering. On this occassion Mary started with a comic piece about A Snooty Thermostat, she then read two nature based poems after observing the behaviour and habits of squirrels before finishing her set with a poem on getting older entitled Dealing With Age.

Mary was followed by Susan Milligan whose pieces Beyond, and In Heaven For A Day were well received by the company before concluding with a song which this month was I Can Sing A Rainbow. 

As Susan rejoined the company it was time for Peter Russell to entertain the company and this he most certainly did with six excellent poems all of which were elquenty executed in his typical laid back style.  Peter started his set with Visit From A Taxidermist before changing tact completely for A Sestina On The Cafe Neon, he then read the  powerful and thought provoking Our Necks Saved , before noving on to my personal favourite in this set 62 Sunningdale Avenue which is a beautiful poem on his first childhood home. He then concluded his set with Are You Better Yet? and his final poem From The Ground Up. This was a top quality set of well crafted poems for a skilled and talented wordsmith with a keen observational eye. 

Talking of talented wordsmiths it was as always a pleasure to introduce one of my greatest mentors Derek Read who read three poems which were all tied to some extent to his quaker beliefs. In his first poem Diving For Atlantis Derek looked back  with affection on the life of the late Catherine Walker. He then read a piece from the Quaker book by Adrian from Brunei  before finishing with The Gathering. 

Derek was followed by Claire McCann who read a short piece before returning to her seat as Alan McGlas led us to the bar break reading The Hairy And The Smooth which he informed us was based on a biblical story and following it up with the bitingly funny All Over The Place which shall we say was slightly more personal in nature. 

After an enjoyable bar break It was time for our featured  writer and on this occasion it was club stalwart Alex Frew who took his turn in the spotlight. Though primarily known for his more humourous material Alex has many strings to his creative bow and he showed the full range of his work in a set which covered a range of different issues . Alex started his with a poem And Then He Spoke Of Death and followed it up with another slightly more humorous take on the same topic with a poem on what the comedian Billy Connolly would like inscribed on his gravestone entitled Is It That Time Already? 

This was followed by Cutting Down A Tree and a poem on what Alex referred to as night terrors called From The Deeps before the poem which I thought was the highlight of his set Three Photographs Of You in which he pays a brilliant emotional and heartfelt tribute to his mother . It was no surprise to anyone who heard this lovely piece of poetry that he got a wee bit teary on reading it but I’m sure his mother looked down and smiled as he did so and was proud of the son that she raised. Speaking as his friend of more than 20 years I know we are certainly proud of both Alex and his talents. 

Having completed what was undoutably the hardest poem in his set Alex (pictured below) decided to give us a musical interlude with a song titled You Ain’t There before returning to poetry with a piece entitled Patterns. This was followed by the brilliantly funny My Friends Are All On Prozac before winding up his set with Doctor Krippen and A Dear John Letter.  

Picture (1) Our featured Writer Alex Frew shares his thoughts with the gathering)

As Alex went back to take his place amongst the gathering after an immensely enjoyable set it was time for the featured musician to take their place on stage and  this time that honour fell to Alex’s partner in rhyme , crime and musical mayhem and the other half of Ayrshire’s answer to Batman and Robin the one and only Andy Fleming.  Andy like Alex has been a Words And Music regular since the 1990’s and has entertained audiences in his own unique style ever since. 

Andy (pictured below) started his set which with the exception of his last song was made up entirely of covers with Killing By Degrees (Bad Karma) This was followed his rendition of  that well known country song A Heartache Following Me. He then sang both country and Motorhead songs before his unique Johnny Cash style  performance of that 1980’s girly classic which was one of my personal anthems  Girls Wanna Just Have Fun.  He moved on from this with That’s What People Say before performing what he introduced as the Bum Songs but was actually Sea Of Heartbreaks and followed it with the Run DMC song My Adidas And Me before an excellent rendition of the Talking Heads classic Physco Killer  and concluding his planned set with Word Up before we demanded an encore for which he sang one of his own songs Jesus Will Kick Your Sorry Ass. This I think was a fitting way to end a kick ass performance from a top class musican and consummate performer.

Picture (2) Andy Fleming our Featured Musician struming his stuff whilst covering classics 

After our featured performers I sometimes look for someone to bring the room back to normality. Unfortunely I couldn’t find anyone who would do that on this occasion but thankfully Steve Allan who was making a welcome return to the fold after a period of absence was availble to be the penultimate performer of the night and bring even more madness to the evening with his hilarious story about some people arrive in heaven in very quick succession. Since Steve said it didn’t have a title I decided to call it God’s Spreadsheet as I think kinda fitted the narrative of the story. 

With everyone who wanted to having performed it was up to me to bring the night to a close with the final set of the night. I did so with a set of four poems three of which were receiving their first ever performance. 

I started my set with Home Comforts a poem on homelessness which is the only poem in the set which had been performed previously as I have read at a number of events in the last few years. Mindful of the fact that Scotland still had a slim chance of qualifying for next year’s World Cup Finals in Russia  I followed this up with a very personal football poem titled Home Win which chronicles my first Scotland match as a woman and shows the emotions I felt on a day which ended with good results for Scotland and for me.

 For my next poem I moved from football to feminism and in Sugar And Spice I set out my very personal agenda as to why stereotyping is a never a good idea and why I set my own rules in life. It has to be said this poem was not universally popular and one good friend went as far as to tell as much when I chatted to him after the event. I feel however that everyone is entitled to their opinion and though I do not agree with him and he by no means spoke for the room his opinion is nonetheless a valid one and I accept it for what it is and agree to differ with him on this opinion. I concluded my set with Badge which was written after a visit to the theatre to a trans related play. This was one of the most personal poems I’ve ever written and to share it with a group of writers which included some of my closest friends just hours after I wrote it meant a lot to me and judging by the reaction it received at the end of the performance I think it also meant a lot to them. 

At the end of the night Steve Allen was kind enough to give me a lift home and as I reflected on the events of action packed evening I thought that we come to the gathering where happiness lives and magical memories are made we all have home wins at the end of the night as we’ve scored personal goals on the stage. 

Till next time .

Gayle X

As A Poet Talked Of His Mother’s Faith And The Dread Of A Black Forever A Musical Minstrel Made Memories As He Told Of An Amber River

There are sometimes when I really can’t believe how quickly passes and one of these times is when I write up my review of the previous edition of Words and Music . It seems like only yesterday I was preparing to welcome to our wee Tin Hut and now it’s time to tell you about the events of an very enjoyable and entertaining evening when we welcomed both old and new friends to our club . The fact I’m doing it two days after our October meeting is due a combination of a very busy life and my haphazard style of organising my notes 

At the clock struck 8 it was time to get under way. Since this was first night since the fringe I decided to kick off with Jewel Of The Clyde which is my take the events of 1990 when Glasgow was European city of culture.

Having done my duty it was now time to introduce the billed readers to the stage. First up was Susan McKinstry who though a recent addition to our team is a very welcome one. Susan read two poems Tolerance and Intimidation and both were excellently delivered by a writer with something to say about the state of both our nation and values. While I enjoyed both poems I particularly liked  tolerance as far from being what many people aspire to as the benchmark of democracy Susan explained in a carefully crafted way that tolerance should be the least we expect of others in a civilised society and that acceptance of others rather than merely tolerating them is the key to building the fairer more inclusive country we say we want to see.

As one Susan returned to join the company another took her place on stage and Susan Milligan performed two pieces Cats and Holiday In Heaven both of which had that quirky humour which has become Susan’s trademark. As usual Susan finished her set with a song. In this case the song of choice was The Carpenters classic Don’t You Remember You Told Me You Loved Me Baby after which she went back to her seat to enjoy the rest of the evening.

After two writers called Susan the next performer also had a similar sounding name and it was a pleasure to welcome Suzanne Egerton back to the stage for the first time since March having been absent from the company to a combination of holidays, hillwalking, and hospital appointments. I have to stress at this point that the hospital appointments were in no way related to either the holidays or the hillwalking . Anyway it was great to see her back where she belongs . Unusally for Suzanne,she started her set with a poem on growing older entitled No Mauve . This was followed by the tale of A Curious Incident At The Falkirk Wheel she then read a poem on hillwalking which she described is the lot of the older lesbian titled I Loved A Girl Wandering, before concluding her set with a story titled Autumal which was both enjoyable and appropriate since we were now in what the romantic poets described as the season of mists and mellow fruitfulness. 

As Suzanne went back in to the body of the kirk,  it was time to welcome our first male reader of the night and Jim Ewing would take us to the bar break with a set of three poems Granny Barbour, Orange, and a poem on suicide written in memory of the late Catherine Walker titled  It Is Never The Only Solution. In this the final poem of his set Jim appealed to anyone harbouring these thoughts to speak to someone who may be able to help them and this seemed the appropriate time and place to take a break and enjoy the company of those in the gathering including what looked like half of Skelmorlie who had come up to support our featured musician Billy Pryce. 

It was due to half of Skelmorlie turning up for Billy and the cooperation of our featured writer Adam V Cheshire that I was able to make an intelligent adaptation to the programme and reverse the featured slots to suit the needs of the many not the few as some of the Skelmorlie crowd had to return earlier than they would have liked. This meant that instead of the featured writer kicking off the second half of the evening that task would on this occasion fall to the featured musician and as a seasoned Words And Music regular though he was making his first apperance at The Tin Hut , Billy delievred in the way I knew he would. 

Billy started his set with an old favourite of mine Spontaneous Acts Of Sorrow,  before moving on to Beautiful Suit. This was followed by  songs which could be considered ever so slightly topical and both The Invisible Hand, and Drones, have powerful messages contained within the lyrics.  After this Billy (Pictured Below) went for a change of dirrction with the more gentle Autumn Song. This was followed by Keep Talking, and the brilliant Amber River which has not only a beautiful  melody but stunning lyrics which move me every time I hear them. He concluded his set with Cats Contentment and showed why he’ll always be welcome at Words And Music and valued member of our family.

( Our Featured Musician Billy Pryce makes a welcome return to Words And Music as he enjoys his first appearance at The Tin Hut since we took up residence in our new venue in June 2016)


Having waited patiently for his turn in the spotlight it was time for our featured writer Adam V Cheshire to share his thoughts with us and he certainly gave us plenty to think about in a passionate and powerful set which that a featured set doesn’t need to mean a lot of poems if as he and Billy did you place the accent on quality rather than quantity. Adam who made history by being our first Welsh featured act in the 27 years of Words and Music started  his set by drawing on his roots with My Mother Is A Christian. This poem in which he talks with openess and candour about his mother’s life and how her faith has helped her through difficult times and how despite his own lack of belief he will still go to church with her on Christmas Day. In his next poem Poetry Is,  Adam (Pictured Below) gives his personal insight in to what poetry means to him and explains his relationship with it. Adam then moved on to a poem on Mental Health Issues with particular reference to depression  entitled The Pining Dread Of A Black Forever. This is a topic on which Adam has very intimate and personal kbowledge and this really comes home in as  authentic voice as you’ll hear on what has always been and always will be a highly emotional issue.

Adam V Cheshire makes history at the Tin Hut by becoming the first Welsh featured Writer in the 27 years of Words And Music. 


Adam finished his set with a brilliant polemic on capitalism titled Capitalism Is Eating Itself Alive. In this amazingly well thought rant our poet puts capitalism the world’s most globally  powerful economic system in the dock and makes a compelling case for the prosecution. This was a top class set from a quality poet and a principled compassionate man. A man I was proud to have at our club.  

After two great featured sets it Claire McCann who had the difficult shift of following them and she gave it her best shot performing a piece called Chalk before rejoining the company.

With all the billed readers having performed it was up to me to bring the evening to a close which I did with a set of four poems. I started with Ten Days,  a poem on  both the ski similarities and differences of two girls born only ten days apart. The two girls in question were myself and Princess Diana who was only ten days my senior .

I followed this up with Glasgow Boy,  a poem in memory of the late Glasgow folk singer Ian Davidson who died last Christmas and who for many years was a Words And Music stalwart gracing our stage on many occasions when the event was held at Sammy Dow’s.  As those of you who knew Ian will know he was a principled man of the left and campaigned fervently for CND so I’m sure he would have enjoyed my penultimate poem of the evening which used a combination of comedy and feminism to make the case against neuclear weapons in Tights Before Trident.  This poem in which I look at things from the legally blonde school of economics shows why we should focused on a millon little things rather than wasting money on an expensive white elephant. Well little things contribute to the  economic well being of the country whereas neuclear weapons only contribute to destrucstion of global civilisation and could bring about the end of the world as we know it.

I concluded my set and the night with a poem which was written about one of my favourite events at the Edinburgh fringe. The event is an alternative caberet which caters for those acts you won’t see too often on mainstream bills which is why it is called Other Voices and funnily enough so is the poem with which I brought the curtain down on this edition of Words And Music. 

You know after the excitment of Edinburgh and the fringe the September edition of Words And Music is a welcome reality check as it’s good to get back in to the routine of attending local events , especially when it’s my responsibility to host the night. Though it is seldom one of our busiest 2014 being the obvious exception it has that relaxing atmosphere that lets you know your home and whoever said 13 was an unlucky number wasn’t at a night where a poet talked of his mother’s faith and the hole of a black forever and a musical minstrel made memories as he told of an Amber River. 

Till next time 

Gayle X

As Poets Told Stories Of Martian Transvestites And Men With Contrarian Blues A Song Told Us All We Had No Need To Fear We Wouldn’t Get One Star Reviews

As we return from the madness of what will forever be the fringe and get ready for the September edition of Words And Music, It’s time to look back on the events of August night which set me up well for the upcoming fringe. With Andy Fleming and Susan Milligan lined up for the featured slots I was ready for a night to remember and it was with an open heart and mind that we welcomed both old friends and new to our wee Tin Hut we call home.

As always I kicked off the night with of my own poems and in this case I selected  my tribute to David Bowie A Vote Of Thanks To A Martian Transvestite as this was how my mother first described Bowie a man whose music she would come to admire in my pre teen years of the early 1970’s.

Job done it was time to call the first of our billed readers and Mary Wilson read three poems By The By Bucketful, Have A Nice Day, and Happy Days before returning to take her place among the gathering. 

After Mary it was the turn of one of rising stars of the spoken word scene Angie Strachan to share her thoughts  and musings and believe me the self styled queen of modern suburbia entertained us in that unique way that only she can. Angie started her set in a way only a mammy can with Fat, a brilliant and emotional poem her  daughter Chloe over her concerns regarding body image and why a mother’s love is and will always be unconditional. This was followed by her election poem Ma Dug Is Better Than Your Dug in which she expresses all too clearly her frustration with all the petty points scoring which is or at least seems to be the lot of election campaigns these days. Angie concluded a thoroughly enjoyable set with Random Temptations her poem in praise of her favourite supermarket which for those of you who don’t know just happens to be Aldi. This is one of these poems which is always enjoyable to listen to and shows that even the self ordinary activities can provide inspiration. 

Next up was Peter Russell. Like Angie, Peter is a poet whose work I really enjoy. On this occasion  he started with Prohibitions By Order in which he expresses his concerns for humanity and the direction of political traffic. He followed this by performing Contrarian Blues. In this poem Peter laid out the five arguments he had with himself during the course of a day. Being a political animal myself I  love this poem as it reminds me of someone I see  every time I look in the mirror. From politics Peter moved on to music and in particular Jazz which has always been a passion of his with a poem entitled What I Know About Modern Jazz , The Bird, The Train, And Getz. He continued the jazz theme in his next poem Kinda Blue which was written for another of his heroes Miles Davis, before finishing a very entertaining set with Whose That Knocking At The Door.

As Peter returned to his seat it was the turn of Alex Frew to take the stage. As regular readers will know Alex often uses humour as a weapon to make his point  and he did so again in the second of his two pieces. In his first piece however Alex showed that when it matters he can be serious with his story Careless In The Community in which he highlights the issues facing the most vulnerable members of our society.For  his second piece Alex performed a  tongue in cheek song I Got A Silver Cape about his experience of working in social care and demonstrated the truth of the age old saying if you don’t laugh you’ll cry. Fortunately he chose the first of those options to make some very important points and I for one am glad he did so. 

After Alex , Claire McCann stepped up for her five minutes on stage and performed a song entitled Devon Remix. Claire, was followed by Derek Read whose poem A Quiet Land spoke of the sectarian tensions this Whirral lad witnessed growing up  in the Merseyside of the 1960’s . This poem  has always been one of my favourite pieces of Derek’s work as the story very similar to my own and shows that the sectarian problem of the July of the Ulster  marching season has impacted on other areas of mainland Britain and is not unique to Scotland. 

As Derek returned to his seat it was with great pleasure I welcomed back Suzanne Egerton to the Tin Hut for the first time since March as a combination of holidays and hospital appointments meant she had been unable to take her place among us. On reading her story Conked Out Suzanne reminded us what we’d been missing and that was a quality performer and  fantastic storyteller who has a natural way with words  

After Suzanne’s welcome return it was time to welcome a new face to our night and though Robert Neill was known to me from nights at the Kilmarnock edition a few years back this was his first appearance at the Tin Hut and he gave one of the performances of the night as he took to the bar break in style by performing four pieces all of which I found very enjoyable listening Robert started his set  with a break up poem Ayrshire style titled You Left Me For The Man That Works The Road.  This was followed by a song titled Fascist Girlfriend , in which he laments the idea of abyone ever going out with someone with such dodgy political views. He then movved on to a poem entitled Beep Beep before concluding his set with a brilliant take on the latest time lord or should that be time lady shenanigans in Doctor Who’s A Women Noo in which he muses on the fuss being made by some of the whovian fraternity about a development most of us would call progress. 

After an excellent first half and the chance to catch up with friends at the bar break it was time for our featured writer and this month it was Andy Fleming who was given the task of entertaining the company and he  duly did so by performing  his own brand of Words And Music as only he knows how.

Andy started  his set  with two pieces written for past McGonagall suppers  and since they both have incredibly long titles which I can’t actually remember off by heart I will say that I enjoyed them both and both contained references to vegetarianism. 

Having established his vegetarian credentials with his opening poems Andy (Pictured Below)  then established  his musical ones with his song Middle Aged Part Time Punk. This followed by Too Bad,  and the song which describes every fringe performers nightmare One Star Review. Having reminded me why I’ve never yet taken a show  to Edinburgh Andy moved on through his repitoire with I’ve Been To Places, City Of Strange Delights, Everybody Knows, and The Party Dress before concluding his set with one of his classic songs as he took us on a visit to The Pound Shop and like the pound shop Andy  is very good value who will  never get a one star review from me . Well let’s be honest the man is  a five star performer and Words And Music regulars know it.

Picture (1) Our featured, writer Andy Fleming


As our featured writer went back to his seat it was time for our featured musician to have their time in the spotlight and in Susan Milligan we had someone who loves to sing and is particularly fond of songs she heard growing up. Susan (Pictured Below) started her set with a  song which I must confess I hadn’t heard before called I Begged My  Mum To Stay before moving on to more familiar territory with The Carpenters classic from the 1970’s Don’t You Remember You Told Me You Loved Me Baby.

Picture (2) Our featured musician Susan Milligan 


 Susan followed this with the Marianne Faithful hit As Tears Go By and the Perry Como song For The Good Times which was a favourite of my dad’s  and wasn’t easy to listen to but I thanked Susan for singing it at the end of her set. For her penultimate song Susan  stayed with the ballads and  performed Help Me Make It Through The Night which was made famous by Gladys Knight and The Pips. This is a real power ballad and Susan put everything in to it and gave a cracking performance of a song which isn’t really in her natural style. Susan finished what was a very entertaining and enjoyable set with what I consider to be her signature song Rock And Roll Waltz which was originally made famous in 1950’s by American singer Kay Starr . On this night however  it was Susan who starred on the Words and Music and gave her best performance to date in the six years she’s been attending the event. 

After our two excellent featured acts there was only one thing left to do and that was for me as the last poet standing to bring the night to its conclusion. I did this by performing a set of four poems starting with my fiercest poem of all and for those of you who don’t get the reference the poem was The Lemon Dress which is the one I performed at the Women With Fierce Words event at the Scottish Poetry Library on the opening day of last year’s Edinburgh fringe.

I followed  this up by reading Two Rolls On Sausage , a poem on the challenges faced by people with Mental Health Issues. For my penultimate poem I switched the focus to activism and read Frontline a poem on the power of protest marches and the role they’ve played in my life. For my final poem Our Stories,  I stuck with activism but this time it had an LGBT theme to it as I told the story of my coming out and  the importance of pride especially during the early years of my transition.
With my set completed  I thanked everyone for their attendance and 12 happy campers made our way in to the night ready for whatever challenges this festival month would bring our way and as poets told tales of Martian Transvestites and men with contrarian blues a  song told us all we had no need to fear we wouldn’t get one star reviews 

Till next time 

Gayle X 

Brownies Bromances And Missing Bits From Bibles Really Was The Best Of Summer Nights 

As tradition dictates the summer brings a mellow mood to Words And Music I think it’s the combination of sunshine and the upcoming holiday season that does it. That said , whatever the reason for it there is always a relaxed atmosphere in the summer months, especially July and as the 12 performers and friends who made the night what it was would agree,  it’s the perfect opportunity for  faces  old and new  to showcase their talents. 

July is the kind  of month which suits the kind  of performers who are easy one on the ear it was with this in mind that I selected Jim Ewing to be featured writer and Charly Houston as featured musician. Well that was the plan but when Charly was unable to make it due to work commitments I had to get another musician at the last minute. Fortunately our resident multi tasker, Andy Fleming was ready and able to step in and take over that particular brief as he has so often in the past. 

Comforting as it is to see Andy and the core regulars who make our nights what they are  it’s always good to welcome new faces to the club and July saw two newcomers find a home at our place. In Natasha Newman and Moki Goddess Of Mischief both of whom I first met at the Blue Chair Extra Second nights I knew we had unearthed two stars of the future and was delighted they had graced us with their presence. 

As host it was my duty to this summer night off to the best possible start even if I shamelessly plugged the fact that I had won the Faith And Unbelief title with my opening poem Faithful Daughter which is my poetic warning to the Church of Scotland to modernise or die. 

Having kicked off the night it was time to introduce the first of the billed readers and Mary Wilson read two nature based poems Fledging Bluetits and Fledgling Sparrows based on her knowledge of watching new birds finding their way in the world .

After Mary’s gentle start to the evening, it was time to welcome the first of our newcomers to the stage, and Moki Goddess Of Mischief hit the ground running with a powerful thought provoking poetic package which was very well delivered by a poet who gets better with every performance. Her selection of The Demon Queen and Winching showed two very different sides to a poet of real potential who gave a very relaxed and confident performance. Like me Moki hails from the North of Glasgow and in fact grew up not only in the same scheme I had a few decades ago but in the very next street to the place I once called home so forgive me if I’m just a wee bit proud of a local girl made good who is keeping up the scheme’s reputation for producing quality poets and before you say anything yes I do mean me.  I have to say I enjoyed both of Moki’s poems and I did notice that The Demon Queen produced more than a few shocked expressions whereas Winching had the audience giggling and contained more than a few nuggets of comedy gold. 

With Moki’s debut over it was time for a seasoned regular to entertain us and in Alex Frew we had the perfect poet for the job. Well, I say poet but on this occasion Alex being the contrary type decided to start his set with a song Leonard’s Lactose Lament in tribute to Leonard Cohen and followed it up with a short stand up set. This wasn’t so much Not The Nine O’ Clock News, it was more like Not The Weekly News but that didn’t matter. What mattered was that it was both funny and enjoyable which it definitely was.  

After Alex it was the turn of Susan Milligan to take the stage. This month Susan performed two poems Changing Your Mind, and Political Effects Two, before finishing her set with a song Carolina Moon

As one Susan left the stage another took her place, and Susan McKinestry performed two fabulous poems on the impact of social and economic disadvantage which left the audience spellbound. This was an excellent performance from a poet who was making only her second appearance at Words And Music  and had to be coaxed in to making  her first. Trust me this is a poet you will hear a lot more of  and a voice which needs heard in the fight for compassion and equality a fight we shouldn’t need to be having in the 21st century but unfortunately it is more needed than its ever been. 

After Susan It was time for the second of our newcomers to take her place and be the latest poet to add her name to the tapestry which makes up the history of our event and trust me Natasha Newman didn’t disappoint. As she led us to the bar break Natasha preformed a set of  four poems of truly excellent quality.She started her set with Summer Executions in which she  gave us her thoughts on what was for her and many others myself included was  a very disappointing election result. This was followed by Whole, before moving on to  the brilliantly titled Destination Unknown. This is a place that this poet and many others have visited a  lot more than they will ever care to admit but it also sums up where the future will take us as nobody knows what tomorrow will bring. For her final poem of what was a top class debut set , Natasha read Ignited Rhymes.  This was a great way to conclude the  set and indeed the first half of the show as Natasha’s rhymes have certainly ignited the spoken word scene since this quiet softly spoken poet made her debut on it earlier  this year at Extra Second. Make no mistake this performance marks the  arrival of a major new talent and when I’m proved right then remember where you heard it first. 

After the break it was time for our featured writer and on this occasion it was Jim Ewing who entertained the gathering with a set which showcased his versatility at its best.  In 20 minutes Jim got through more subjects than mastermind as he took us on a journey through his work.

 Jim started his set with Trumped Up , a political haiku on American president Donald Trump . He then moved on to a poem l entitled For Her in which he described the lack of compassion shown by a mourner at the death of an addict . In his next poem To A Mother Jim illustrates the full horrors of the Orlando massacre and   his grief such  senseless slaughter

For his next poem Jim journeyed much further back in time and read Martyrs a poem on the political climate 100 years ago at  a time when the world was experiencing both wars and revolutions and the social and political upheavel that resulted from them. 

After this it was time for a change of direction as our featured writer showed his humorous side with the ghostly ghoulish goings on the world of The Man With The Iron Teeth. This was followed by  a trip to the past with Self Portrait 1900 before Carp Diem brought us back to the presen. Well it is the Latin for Seize The Day. 

In his next poem Bromance Jim took a light at the bonds of male friendship. This I have to say of one my favourite poems by any poet on this topic and is possibly only eclipsed by Robin Cairns Homeland Songs as my all time favourite on it.  

From this Jim moved on to Neil’s Prayer before reading  his Dusty Springfield poem Definitely  He followed this with Retrospective before concluding his set with Men At Lunch. 

As regular readers will know the featured writer is usually followed by the featured musician. However as Charly couldn’t make it due to other commitments  there was no featured musician at least not officially I was able to make an intelligent adaptation to the programme and let Pete Faulkner take the stage. This was a very good move as Pete is highly entertaining as well as being a consummate performer 

As was the case in June when he was featured writer, Pete read an extract from his novel. In this chapter the school is visited by a group French students as part of a foreign exchange and  Christopher is mortified by both students and staff alike particularly by the head of department who is doing the stereotypical Scot routine to perfection. 

As Pete returned to his seat it was time for Andy Fleming to be the featured musician for the night . As regular attenders will know Andy has more than one than string to his bow, and when he takes the  stage, you never quite know what happen you only know you’ll enjoy it when it does. 

Andy started his set by reading a very short  poem from his girlfriend Christine  before getting on to the serious stuff with his word association poem Genetic Typing Pool Shark Bait. I hadn’t heard this poem in  a long time and I really enjoyed listening to it again. He followed this with another piece from the achieve and it was great to hear and sing along to  the Job Centre Plus song.  From unemployment Andy moved on the topic of neighbours and aimed his creative fire at the kind of neighbours we would all hope never to have with  his classic poem Neighbours , Everybody Needs Good Neighbours ,  But Mine Are A Shower Of  Bastards. This poem never fails to hit the spot as almost everyone has had or knows someone whose had neighbours like the ones Andy so eloquently describes in this piece. 

Andy followed this up with  his own unique take on the disco classic I Will Survive before moving on to Roadrunner before concluding his set with that nice little sing a long number There’s No Mention Of The Clitoris In The Bible.

With Andy’s set completed it was up to me to finish up the night  and I did so with a  set  of four poems . I started with  Slice Of Faith ,  a poem on celebrating. the end of  lent by getting back on the chocolate by enjoying  my favourite chocolate based treat otherwise known as the Blue Chair Brownie. Well if Burns can  do it for haggis than why can’t I do it for the brownies. I mean  it seems fair to me. 

I then got slightly more political as I read Scroungers which explains what can happen when people are faced with the reality that the press and media don’t always tell the  truth  and. you face them with alternative arguments they may not have been exposed to. 

 I then moved on to a poem on activism  entitled  Snowflake which illustrates that those who use this term to insult us are making  a big mistake as snowflakes like activists never arrive on their own.

I concluded  my  set with a poem the place I call home and My Glasgow showed you exactly that  my city for better or worse in what I hope is an affectionate but realistic portrayal of   my city. 

With that, another Words And Music came to an end  and as I made my way home I reflected on an evening of brownies, bromances, and missing bits  from bibles really was the best of summer nights. 

Till next time

Gayle X