Tainted Gold

Hey Readers.

This poem looks at Britain’s history as the first industrial nation and how the past still shapes the present especially with regards to the class divide which was enhanced during that period and how this impacts on us even now when it comes to how we view our environment. I have given it the title Tainted Gold I hope you find it an enjoyable and thought provoking read.

Tainted Gold

As children we were taught to be proud
Britain was the first industrial nation
the first country to break
from the agrarian way of life
we took a scythe to communities
which had lasted for centuries in the name of modernity and profit
cottage industries died
and wealth was no longer shared
but concentrated in the hands of a few
the capitalist class had been born
and the gap between rich and poor grew wider
a trend that continues to this day
the bard would shake his head in dismay
at the destruction of what he called ‘nature’s social union’
all for the wealth of an elite
this revolution far from eradicating poverty
or at least driving it in to retreat
has made the situation worse
whilst destroying resources
both at home and overseas
lust for wealth led to an obsessive greed
as leaders hunted for colonies
and built an empire in the name of the crown
this we were told was something
on which the sun would never go down
lest we forget the real facts of the matter
the chattering classes can’t hide
no amount of propaganda disguised as pride
can stem the tide of nature
or change the narrative of the story
it’s embarrassing to see
a country which claims to be
amongst the most developed on earth
embark on a policy of apathetic indifference
when it comes to maintaining the health of the world
whilst city boys and girls rake in obscene profits
and the landed gentry shoot the grouse
on the glorious 12th
the mind thy self mentality
cares more about fictional characters
in TV soaps
than improving our quality of life
as our leaders yet again
use the scythe
to cut the earth
in the endless search
for tainted gold

@ Gayle Smith 2017

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